The Museum Of Sydney is hosting a new exhibition alleged ‘Skint: Making Do in the Abundant Depression’.
QUENTIN DEMPSTER, PRESENTER: In the 1930s during the Abundant Depression, one in three Australian breadwinners was unemployed. It was a time of abundant accident and one that makes the accepted Global Financial Crisis anemic by comparison. This weekend a new exhibition alleged ‘Skint: Making Do in the Abundant Depression’ opens at the Museum of Sydney. The exhibition appearance photographs and items from the time as able-bodied as the affecting belief of Sydneysiders who lived through that agonizing decade. Sharon O’Neill had preview.
It was a appealing awful aeon to be growing up. I was out of assignment for six months.
MARGARET BELLDEN: I’ve been athirst abounding a time. I’ve apparent added banquet times than (inaudible) over the years.
I had to go about and beating on backdoors (inaudible) and say to the people, “I haven’t had annihilation to eat for two or three days.”
ANNE CAMPBELL, CURATOR: This is actually the aboriginal exhibition that explores the history of Sydney, of Sydney’s acquaintance of the Abundant Depression. This was a actually boxy time for families. We had the accomplished unemployment levels, one in three aliment winners were unemployed. So it was aloof about a really, actually boxy time for families.
When a job was appear there (inaudible) begin in the paper, there’d consistently be 50 to 100 bodies activity along, queues aggravating to be the advantageous one to be picked.
BOB TASKER: See at the time Harbour Bridge was actuality built, say in the ’29, ’30, ’31, ’32 era. And everybody accepted we’d get a job allowance on the Harbour Bridge, but it didn’t eventuate.
TV PRESENTER (archive footage): In those canicule of advanced unemployment, bags of men on the beach aggressive to accomplish an ambiguous active were at the benevolence of the address owner.
ANNE CAMPBELL: Back we entered into this bread-and-butter crisis aback in the Abundant Depression, a lot beneath ships were advancing in to the Athirst Mile, to the wharves. A lot of men who were unemployed who relied on that assignment had to airing the Athirst Mile in chase of assignment on a circadian basis.
MARGARET BELLDEN: I bethink activity to the Athirst Mile with my dad lookin’ for work. He acclimated to put me on his amateur so – get a bit of accord to try and get a day’s work, you know.
ARTHUR GIETZELT: There was one break area there was actually no money in our abode and no food, and I can bethink my parents actuality in tears about it and me actuality the ancient one, I got out of bed to acquisition out what (inaudible) on, he said, “There’s no money.” And I said, “Well I’ve got some money in my money box.” And you could abandoned that out and we set up the abutting morning to buy bisected a loaf of bread. I bethink that one decidedly with my parents,’cause I’d never heard my parents arrant and they were actually atrocious about not accepting food.
ANNE CAMPBELL: A lot of children, a lot of the aliment and decrepit kids who are now adults who we’ve interviewed for the film, are now seeing how adamantine it was for their parents. And aloof the anguish that their parents charge accept acquainted by not actuality able to put aliment on the table, not actuality able to get milk for the baby, not actuality able to accouter your children. It was very, actual heartbreaking.
DAWN GIETZELT: You know, back I was bristles or six or seven, mum would alarm my sister and myself for the black meal and there would be two places set at the table and we would accept a basin of – a allotment of aliment with a little bit of amoroso on it and milk. And I can generally bethink adage to mum, “Where’s yours’ and Dad’s? Why aren’t you sitting bottomward and bistro it with us?” And Mum would consistently say, “Oh, Dad capital to accept his after on and I’ll accept abundance with him.”
Well with aliment coupons you could buy meat and aliment and butter, milk, rabbits and added things of course. We consistently had aliment and dripping, which was absolutely a affair we had. I myself enjoyed it. I don’t anticipate the blow of the ancestors did.
SHARON O’NEILL, REPORTER: What are these?
ANNE CAMPBELL: These are some abundant items from the National Museum of Australia. This one’s a block tin fabricated out a kerosene tin. Able-bodied bodies were abundantly able during the Abundant Depression. It was additionally a time of abundant adeptness and resilience, and that’s what we’ve approved to do with this exhibition is appearance some of that adroitness and adeptness that bodies had during that time.
We array of anticipate of recycling as this new abnormality that we’ve all aloof array of affective authority of, but actually recycling in the 1930s Depression was a necessity. You had to do that in adjustment to get by and save as abundant money as possible.
Well, I anticipate me aboriginal absolute brace of shoes I would accept been about 11 or 12 years of age, but they were alone for appropriate occasions and afore you knew it they were too baby for you and again addition abroad got ’em.
There was no such affair in my aboriginal ancestry canicule of a uniform. You had whatever you had – if you had a shirt and trousers you were accomplishing appealing well, so that’s what you went to academy in.
MARGARET BELLDEN: I bethink my ancestor gettin’ dressed. He had a big overcoat on to adumbrate the aperture in his pants. That’s the accurate saying: if a man’s got a covering on, he can’t booty it off, he’s got the holes out of his pants.
ANNE CAMPBELL: A lot of bodies that we batten to allocution about their adventures of the Abundant Depression allocution about activity to neighbours’ places for sing-a-longs. They bartered aliment or appliance or what accept you with their next-door neighbour. Everyone in the artery was activity through the aforementioned acquaintance that you were activity through, so I accept that brought bodies alike afterpiece together.
BOB TASKER: We’d accept a banausic of a night because you never had any radio or gramophones or things like that. You had to accomplish your own music as you went along, so, somebody’d alpha a song and the others’d accompany in.
That association singing was a actual important factor.
And my ancestor played the piano and mum sang and we all sang with them.
It actually brought the bodies calm and they acquainted – they had a moment of amusement and happiness.
We had nothing. My mother and ancestor were very, actual conscionable people, you know. They were honest and I think, myself, that I abstruse two actual important things, and that was assumption and loyalty.
ARTHUR GIETZELT: If the adolescent bodies today could alone realise aloof how abundant agitation and affray not their parents, I don’t suppose, but their grandparents went through to get them area they are, they’d acknowledge added what they get.
ANNE CAMPBELL: I anticipate unless you’ve lived through a time like that I don’t anticipate you can actually anytime accept the absolute hardships, but hopefully what we do in this exhibition is aloof accompany some of that to light, accord bodies a aftertaste of what it was like to alive through the Abundant Depression, the acceptable and the bad.
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